Bebop Licks Guitar Pdf Lesson
- Bebop licks for guitar, presented in notation and TAB. These licks are based on the dominant form of the bebop scale. The dominant bebop scale is basically a mixolydian scale with an extra passing note inserted between the root and the b7.
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Watch the 50 Essential Bebop Licks online guitar lesson by Sheryl Bailey from 50 Essential Bebop Licks You MUST Know Think of the process of learning licks as the process of learning new vocabulary words - a new language. Without a common language you can't communicate to those around you.
3 Must Know Bebop Guitar Licks
Building a bebop vocabulary is essential in the development of any jazz musician, and learning jazz bebop guitar licks is an important part of practice. Even if you are not mainly a bebop player there’s still a lot to be gained from the bebop language that can spice up your own playing.
Bebop musicians love to play over II-V-I progressions and most of the bebop standards go through rapid amounts of II-V’s, therefore it’s vital that we have plenty of language and approaches to nailing them.
In today’s lesson we are going to be looking at how to play bebop licks on guitar by learning 3 lines that utilize some common bebop techniques to help you when soloing over bop tunes.
Bebop Guitar Licks #1
This is perhaps the most commonly played bebop lick. I have written the lick out in its simplest form here, but there are many alterations you can make to this line once you have nailed it.
Put on any 1950’s bebop record and I guarantee you’ll hear it in some way, shape or form!
The lick is implying a D-7 — G7 movement in the first bar starting out by first outlining the D-7 arpeggio (first 4 notes D, F, A, C) which sets up smooth voice leading for the B natural, the third of the G7 before finally resolving to the third of C major 7 (E) in the last bar. /dune-free-download-vst.html.
Bebop Guitar Licks #2
The beginning of this lick starts with a 3-9 arpeggio, simply a descending B-7b5 arpeggio over the G7 which adds some tasty flavour as we start on the 9th. The last note at the end of bar 1 F#, provides a nice taste of the bebop scale before resolving.
Bebop Guitar Licks #3
Implying the b9 is a great and crunchy way to spice up playing over dominant 7th chords before resolving. This lick also incorporates the b13 over the dominant chord creating additional tension before finally resolving to E, the third of the C major 7 chord.
Bebop Licks For Guitar Pdf
How to Practice The Licks
- Practice Each Lick in all 12 Keys
- Change the Rhythms
- Start Each Lick on a Different Beat
- Apply them over tunes
Do you have any favorite bebop jazz guitar licks? Who are some of your favorite bop guitarists to transribe? Share your thoughts in the comment section below.
Bebop licks for guitar, presented in notation and TAB. These licks are based on the dominant form of the bebop scale. The dominant bebop scale is basically a mixolydian scale with an extra passing note inserted between the root and the b7. For example, a G dominant bebop scale contains the notes: G, A, B, C, D, E, F, F#, G. The extra note in this case is the F#. The bebop scale is not a part of strict musical harmony, rather it has evolved out of the kind of lines bebop musicians play.
Bebop Licks – Lick 1
Lick 2
Lick 3
Lick 4
Lick 5
Lick 6
Bebop Licks over ii V I – Lick 7
Lick 8
Lengthened Bebop Lick – Lick 9
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Bebop Licks Guitar Pdf Lessons
Notes On Playing Bebop Licks
Play the licks at a slow tempo at first, perhaps with a slight ‘swing’ rhythm. Once you get used to them, start to increase the tempo and you’ll feel how the extra note makes the lines smoother and more interesting. There are many ways of embellishing the standard bebop scale, one common way being to ‘enclose’ notes by playing the notes around them before playing the target note. Listening to jazz musicians will help you identify other ways in which bebop scales were used.
Bebop Licks Guitar
Like all jazz improvisation, bebop is a language in itself, and the only way it can really be learned is by exposing yourself to it, picking up some phrases and beginning to use them yourself. Listen to some records and see if you can recognise when a bebop scale is being used, then try to play the line back by ear. The punch vst download. As stated previously, the great bebop musicians were not consciously using bebop scales – they were simply creating lines using major and mixolydian scales and inserting the extra notes to help them flow. Once you have got your fingers round the bebop scale in a couple of positions, start to invent your own lines over static chords and ii V I changes.